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Other meanings of Admiral's Men

Elizabethan Theatre

Admiral's Men

The Admiral's Men were a leading Elizabethan playing company, rivals to the Lord Chamberlain's Men, and the chief performers of plays by Christopher Marlowe and Thomas Dekker.

c. 1576–1625
Active period
Years of operation
Lord Howard
Patron
Charles Howard, 1st Earl of Nottingham
Rose & Fortune
Principal theatres
Playhouses used
1

Origins and patronage

The Admiral's Men formed in the 1570s under the patronage of Charles Howard, 1st Earl of Nottingham, who held the office of Lord High Admiral. They first appeared in court records in 1576 and performed at the Theatre and later at the Rose. Their early repertory included moralities and chronicle plays, and they were among the first companies to perform at the newly built playhouses in London's suburbs.

In 1588, the company merged with the Lord Strange's Men, creating a powerful troupe that performed at the Rose under the management of Philip Henslowe. This partnership brought together leading actors such as Edward Alleyn and Richard Burbage, though Burbage soon left to join the rival Chamberlain's Men.

2

Rivalry with the Chamberlain's Men

The Admiral's Men were the principal rivals of the Lord Chamberlain's Men, the company that later became the King's Men under James I. The two troupes competed for audiences, playwrights, and royal favor, often performing on alternate days at their respective theatres. The Admiral's Men were known for their spectacular staging, including elaborate special effects and battle scenes, which drew crowds to the Rose.

Their rivalry intensified after the Chamberlain's Men built the Globe in 1599, prompting the Admiral's Men to move to the Fortune Theatre, which was designed to rival the Globe's capacity. The competition spurred both companies to commission new plays, leading to a golden age of English drama.

3

Repertory and playwrights

The Admiral's Men premiered many of Christopher Marlowe's greatest works, including Tamburlaine, The Jew of Malta, and Doctor Faustus, with Edward Alleyn in the leading roles. They also staged plays by Thomas Dekker, Thomas Heywood, and George Chapman, covering genres from revenge tragedy to city comedy. Their repertory was recorded in Henslowe's Diary, a unique source for Elizabethan theatre history.

The company was known for its patriotic and historical plays, such as The Famous Victories of Henry V, which influenced Shakespeare's later work. They also produced a series of plays about the legendary hero Sir John Oldcastle, which were written to counter the portrayal of the character in Shakespeare's Henry IV.

4

Lesser-known aspects

Beyond their famous Marlowe productions, the Admiral's Men were pioneers in staging plays with musical interludes and jigs, which were popular with groundlings. They also employed the first known female impersonators in regular performances, as women were banned from the stage.

The company's financial records in Henslowe's Diary reveal a complex system of shared profits, loans, and payments to playwrights, offering a rare glimpse into the economics of Elizabethan theatre. They also performed at court regularly, and in 1603 they became the Prince's Men under the patronage of Prince Henry, but after his death in 1612 they declined and merged with other companies, eventually disappearing by 1625.

Glossary

Rose Theatre
A playhouse on the South Bank of the Thames, used by the Admiral's Men from 1587.
Fortune Theatre
A theatre built in 1600 for the Admiral's Men, located north of the City of London.
Henslowe's Diary
A detailed account book kept by Philip Henslowe, documenting the Admiral's Men's finances and repertory.

The Admiral's Men were one of the most durable and influential playing companies of the Elizabethan era, leaving a rich legacy in both performance and record.